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Welcome to ANBOC 2026! Here you can preview the conference timetable. From September, ticket holders will be able to register for sessions and build their own timetables in the conference app.
To purchase your ticket, visit https://openacademy.sydney.edu.au/course/ANBOC2026
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Saturday, October 3
 

8:30am AEST

Choral warm-ups, musical brain teasers and sight-singing Part I
Saturday October 3, 2026 8:30am - 8:50am AEST
Join Dr Elizabeth Scott, Lecturer in Conducting and Director Sydney Conservatorium Choir, for a short session of fun and challenging musical warm-ups you can use with students of all ages and musical abilities.
Speakers
avatar for Dr Elizabeth Scott

Dr Elizabeth Scott

Lecturer in Conducting | Discipline Lead - Conducting, Sydney Conservatorium of Music
Elizabeth Scott is a lecturer in conducting and the director of the Sydney Conservatorium of Music Choir. She is the Associate Music Director of Sydney Philharmonia Choirs and has performed and recorded with Cantillation, Pinchgut Opera and The Song Company.Elizabeth graduated from... Read More →
Saturday October 3, 2026 8:30am - 8:50am AEST
Music Workshop Sydney Conservatorium of Music, Conservatorium Road, Sydney NSW, Australia

9:00am AEST

What I Wish I'd Known 30 Years Ago
Saturday October 3, 2026 9:00am - 10:00am AEST
The wise, patient counsel of a trusted mentor. The shining example of a valued colleague. That rarified “aha” moment of discovery following painstaking trial and error. Lessons learned, accumulated over the course of a career, provide guidance and inspiration in the classroom and concert hall. This keynote will explore a litany of “life hacks” with the potential to enhance your musicianship and pedagogy.  
Speakers
avatar for Dr Mark Laycock

Dr Mark Laycock

Director of Orchestras, Wichita State University
Dr. Mark Laycock is a Professor of Music at Wichita State University, where he holds the Ann Walenta Faculty of Distinction Endowed Professorship. He serves as Director of Orchestras and Coordinator of Strings. He has been recognized with the WSU Excellence in Creative Activity Award... Read More →
Saturday October 3, 2026 9:00am - 10:00am AEST
Verbrugghen Hall Sydney Conservatorium of Music, Conservatorium Road, Sydney NSW, Australia

10:00am AEST

Creating Meaningful Rehearsals in Limited Time
Saturday October 3, 2026 10:00am - 11:00am AEST
As we know, every minute of rehearsal counts and is important! This clinic (“Creating Meaningful Rehearsals in Limited Time”) will focus on rehearsal planning, ensemble development strategies, and conducting tips to maximize limited rehearsal time. Dr. Nick will share helpful hints and best practices learned over his decades long career as a music teacher and conductor. The session will include collaborative ideas on effective rehearsals, conducting hints to SHOW instead of SAY, and practical suggestions to maximize limited rehearsal time. Additional topics will include using student leadership to enhance the ensemble experience and help create focused and meaningful musical growth time (rehearsals). 
Speakers
avatar for Dr Nicholas Enrico Williams

Dr Nicholas Enrico Williams

Professor of Music/Director of Bands, University of Georgia
Nicholas Enrico Williams is a Professor of Music and serves as the Director of Bands at the University of Georgia, where he coordinates one of the country’s largest and most comprehensive university band programs, conducts the University of Georgia Wind Ensemble, and oversees the... Read More →
Saturday October 3, 2026 10:00am - 11:00am AEST
Verbrugghen Hall Sydney Conservatorium of Music, Conservatorium Road, Sydney NSW, Australia

10:00am AEST

Get the bo win gsri ght! (Linking rhythm and bow division in junior string ensembles)
Saturday October 3, 2026 10:00am - 11:00am AEST
How often do we say to students, “ you learn the violin AND the bow….”?

Come along for a session of warmup exercise exercises and games that get students thinking about the association between speech, rhythm, and bow division.  
Speakers
avatar for Lisa Grosman

Lisa Grosman

Head of Strings/Lecturer in Viola, Xavier College/University of Melbourne
Lisa was a member of the Irish Chamber Orchestra for 15 years, performing across Europe, America, and Asia. She regularly collaborated with the National Symphony Orchestra of Ireland, the RTE Concert Orchestra, and served as the solo violist for Crash Ensemble. Additionally, she directed... Read More →
Saturday October 3, 2026 10:00am - 11:00am AEST
Recital Hall East Sydney Conservatorium of Music, Conservatorium Road, Sydney NSW, Australia

10:00am AEST

Leading Without the Baton: Teaching Leadership from the Concertmaster Chair
Saturday October 3, 2026 10:00am - 11:00am AEST

Leadership in orchestral ensembles does not begin and end with the conductor. Some of the most effective musical leadership happens from within the ensemble—particularly from the concertmaster chair. This session explores how educators can explicitly teach and cultivate leadership skills in students through the concertmaster role, developing confident, responsive musicians who lead with clarity, responsibility, and musical intent.


Drawing on professional orchestral practice and classroom experience, this clinic unpacks the multifaceted responsibilities of the concertmaster beyond technical excellence. Participants will examine how leadership is communicated through non-verbal means such as body language, breath, gesture, and eye contact, and how these skills can be taught systematically rather than assumed. The session also considers the concertmaster’s role as a musical translator, temporal anchor, emotional stabiliser, and collaborative bridge between conductor and ensemble.


The clinic will also broaden the discussion to include the importance of other section leaders and principals, exploring how leadership is communicated within sections, between section leaders, and upward to the concertmaster and conductor. Practical rehearsal strategies will be shared for developing clear internal communication, rotating leadership roles, and fostering a culture of shared responsibility across the ensemble.


This clinic is designed for all ensemble educators seeking to deepen student agency, strengthen internal communication, and improve ensemble cohesion, while preparing young musicians for chamber music, orchestral leadership roles, and professional expectations.

Speakers
avatar for Adele Ohki

Adele Ohki

Adele Ohki is an accomplished violinist with a broad and diverse musical career. After spending 25 years in the United States, she has recently returned to Australia. Born and raised in Canberra, Adele grew up in a musically enriched environment, beginning her violin studies at the... Read More →
Saturday October 3, 2026 10:00am - 11:00am AEST
Recital Hall West Sydney Conservatorium of Music, Conservatorium Road, Sydney NSW, Australia

10:00am AEST

Practical Tips for Building Jazz Programs
Saturday October 3, 2026 10:00am - 11:00am AEST
Jason will be looking at how to build a Jazz Program in both your school's ensembles and classroom. The session will focus on:
    •    Sequencing of skills & knowledge from primary to high school.
    •    Developing improvisation from beginner to advanced
    •    Stylistic interpretation, phrasing & articulation, and what’s not written on the page
    •    How to develop a rhythm section 
    •    And most importantly - How do you do all of this if you don’t have a background in jazz?

Speakers
avatar for Jason Isaac

Jason Isaac

Jazz Lecturer, Sydney Conservatorium of Music
Jason Isaac has been conducting orchestras, symphonic bands, and Jazz ensembles for the past 25 years. Currently Lecturer at the Sydney Conservatorium of Music, Head of Jazz Studies at Sydney Grammar School and Conductor at Newtown High School of the Performing Arts and Ashbury Public... Read More →
Saturday October 3, 2026 10:00am - 11:00am AEST
Education Room 2174

10:00am AEST

The End is Only as Good as the Beginning - Success from the Door to the Downbeat
Saturday October 3, 2026 10:00am - 11:00am AEST
In this session, we will explore how repertoire can be used to teach fundamental concepts. How we begin a rehearsal and how we begin a sound have a great deal in common. Using real musical examples, we will reinforce these concepts and experiment with ways to shape the music to fit the goals you have for your students and ensemble.
Speakers
avatar for Tyler Arcari

Tyler Arcari

Director of Music Production and Editing, Excelcia Music Publishing LLC, Wingert-jones Publications, Kendor Music Publishing and RBC Publications
Tyler Arcari (b. 1989) is a composer, arranger, author, and clinician whose music is played around the world. He received his B.A. and M.S. degrees in music education from Troy University where he studied with composer Ralph Ford and Euphonium under Dr. Mark J. Walker. As a teacher... Read More →
Sponsors
Saturday October 3, 2026 10:00am - 11:00am AEST
Music Workshop Sydney Conservatorium of Music, Conservatorium Road, Sydney NSW, Australia

11:00am AEST

Morning Tea
Saturday October 3, 2026 11:00am - 11:30am AEST

Saturday October 3, 2026 11:00am - 11:30am AEST

11:30am AEST

Bridging the gap between jazz and classical music. It’s just 12 notes!
Saturday October 3, 2026 11:30am - 12:30pm AEST
Bach and Mozart would definitely have been fans of Coltrane and Parker. All music has a rich history and a place to grow and develop with a deep respect to the original.  But let’s face it Stravinsky would have embraced the Stones and Led Zeppelin. Coltrane dug Stravinsky and his teachings.  
As directors and teachers we have no idea who walks into our rehearsal space on that very first day.  Literature, rubrics, ideas, should all be formulated after the first day.  
Keep the standards. It’s ok to evolve and open your head to contemporary music and jazz.  No need for music snobs, dig.  

Speakers
avatar for Patrick Bowen

Patrick Bowen

Jazz Director, Las Vegas Academy of the Arts
Patrick Bowen has served as Director of World Jazz Studies at Las Vegas Academy of the Arts since 2001 and Director of Percussion since 1993. Under his leadership, LVA’s jazz bands have performed at prestigious events including the Midwest Clinic, Monterey Jazz Festival, Reno Jazz... Read More →
Saturday October 3, 2026 11:30am - 12:30pm AEST
Verbrugghen Hall Sydney Conservatorium of Music, Conservatorium Road, Sydney NSW, Australia

12:30pm AEST

Lunch
Saturday October 3, 2026 12:30pm - 1:30pm AEST

Saturday October 3, 2026 12:30pm - 1:30pm AEST

1:30pm AEST

Lunchtime Concert - North West Wind Ensemble
Saturday October 3, 2026 1:30pm - 2:30pm AEST
The Castle Hill RSL North West Wind Ensemble (NWWE) was born in 2003 and has grown to become one of Australia’s finest and most reputable wind orchestras.

With performance credentials of 16 NSW State and 9 Australian National Championship title performances, previous International CD release of ‘Wild Nights’ in 2008, and subsequent professional CD release of ‘No String’s Attached – A Date with the North West Wind Ensemble’ in July 2018, recordings for Manhattan Beach Music, Reed Music, ABODA - NSW Good Music Guide (Parts 1 & 2), the launch of Australian Sounds 2022, 2023, and 2025 together with and a host of reference recordings for fellow Australian composers, the NWWE are earnestly committed to performing and showcasing extraordinary Wind Orchestra repertoire and transcriptions from composers and arrangers around the world.

Under the baton of their Musical and Artistic Director Mr. James Brice OAM, the Castle Hill RSL North West Wind Ensemble (NWWE) are an exceptionally active and highly dedicated ‘professionally recognised’ community band, drawing their players from a wide variety of settings.  Many members are graduates from the nationally acclaimed Castle Hill RSL Youth Wind Orchestra (YWO), tertiary students, Sydney Conservatorium graduates, talented community musicians from varied and diverse occupations, and many local music teachers.

The Castle Hill RSL North West Wind Ensemble (NWWE) have gained and retained their international reputation as one of Australia’s premier wind orchestras, renowned for their interpretation of classic and new wind band and orchestral literature, whilst dedicated to the exposure and promotion of new Australian works for wind orchestra as part of their standard repertoire.

Speakers
avatar for James Brice OAM

James Brice OAM

Musical & Artistic Director, Castle Hill RSL Wind Orchestras
With 36 years extensive professional teaching, conducting, performing, examining, strategic and personnel management, together with Regional, State and National adjudicating experience, James has is currently employed at the Knox Grammar School as the Head of the Knox Academy of Performing... Read More →
Performers
avatar for North West Wind Ensemble

North West Wind Ensemble

Castle Hill RSL
The Castle Hill RSL North West Wind Ensemble (NWWE) was born in 2003 and has grown to become one of Australia’s finest and most reputable wind orchestras.
With performance credentials of 16 NSW State and 9 Australian National Championship title performances, previous International CD release of ‘Wild Nights’ in 2008, and subsequent professional CD release of ‘No String’s Attached – A Date with the North West Wind Ensemble... Read More →
Saturday October 3, 2026 1:30pm - 2:30pm AEST
Verbrugghen Hall Sydney Conservatorium of Music, Conservatorium Road, Sydney NSW, Australia

1:30pm AEST

Lunchtime Concert - SCEGGS Amati Strings
Saturday October 3, 2026 1:30pm - 2:30pm AEST
SCEGGS Darlinghurst is a singing school, with a wonderful tradition of whole school involvement led by our Director of Choirs Ms Allison Harrigan. This K-12 aural training feeds well into the instrumental program, with students starting string tuition from Semester 2 of Kindergarten.

Amati Strings is the top string orchestra at SCEGGS with musicians from Year 8-12. SCEGGS regularly commissions new works by Australian composers for performance. Amati Strings is proud to perform a musical acknowledgement of country today, commissioned for the SCEGGS 130th birthday year in 2025.
Speakers
avatar for Anne Sweeney

Anne Sweeney

Director of Strings K-12, SCEGGS Darlinghurst
Brisbane born Anne Sweeney has been a string educator and conductor for 36 years since graduating from the Queensland Conservatorium in 1989. Anne moved from Brisbane to Sydney in 2001 to take up the position of K-12 Director of Strings at Queenwood School. She currently holds the... Read More →
Performers
Saturday October 3, 2026 1:30pm - 2:30pm AEST
Music Workshop Sydney Conservatorium of Music, Conservatorium Road, Sydney NSW, Australia

2:30pm AEST

Community Music with Professionalism, Purpose, Passion & Longevity: An insight into the Castle Hill RSL Wind Orchestras
Saturday October 3, 2026 2:30pm - 3:30pm AEST
Both the Castle Hill RSL Youth Wind Orchestra (YWO) and North West Wind Ensemble share a proud tradition of being regarded as two of Australia’s finest and most successful symphonic wind bands, united under the one umbrella organisation, the Castle Hill RSL Wind Orchestras, with a combined membership of 140 members.
With a shared vision, ethos and objective of providing local musicians with opportunities to perform a diverse and extensive range of quality wind band repertoire, at the highest possible level, our bands proudly and regularly present performances at State and Nationals Championship events, embracing the opportunity to present performances on the world stage, having attained an impressive 58 Australian National and NSW State titles since 2003.
Having led the Castle Hill RSL Youth Wind Orchestra and North West Wind Ensemble for 21 years (2005-2026), I am excited and delighted to share my experience, skills and insights of how successful community musical organisations are formed and nurtured.
In addition to the music making, recruitment and programming, ethos, mission and vision, I will share my insights into additional areas such as ‘youth & senior programs’, longevity, governance and collaborative teams inclusive of committees, members, supporters, the importance of budgeting, scheduling, vision, performance calendar, creating and protecting culture, defining what this looks like, membership and motivation!
Music for life, and we never stop learning!
Speakers
avatar for James Brice OAM

James Brice OAM

Musical & Artistic Director, Castle Hill RSL Wind Orchestras
With 36 years extensive professional teaching, conducting, performing, examining, strategic and personnel management, together with Regional, State and National adjudicating experience, James has is currently employed at the Knox Grammar School as the Head of the Knox Academy of Performing... Read More →
Saturday October 3, 2026 2:30pm - 3:30pm AEST
Verbrugghen Hall Sydney Conservatorium of Music, Conservatorium Road, Sydney NSW, Australia

2:30pm AEST

Creating a culture of singing in your ensemble, school and community
Saturday October 3, 2026 2:30pm - 3:30pm AEST
Singing is the basis of all music making. It is vital for musicians of all ages and abilities to embrace singing to develop their aural skills and musical understanding. This session will discuss the reasons to include singing activities in your instrumental ensemble rehearsals and music programs, and provide practical ideas and guidance to create a culture of singing.
Speakers
avatar for Dr Elizabeth Scott

Dr Elizabeth Scott

Lecturer in Conducting | Discipline Lead - Conducting, Sydney Conservatorium of Music
Elizabeth Scott is a lecturer in conducting and the director of the Sydney Conservatorium of Music Choir. She is the Associate Music Director of Sydney Philharmonia Choirs and has performed and recorded with Cantillation, Pinchgut Opera and The Song Company.Elizabeth graduated from... Read More →
Saturday October 3, 2026 2:30pm - 3:30pm AEST
Recital Hall East Sydney Conservatorium of Music, Conservatorium Road, Sydney NSW, Australia

2:30pm AEST

Elevate Your Rehearsal: Rehearse for Success
Saturday October 3, 2026 2:30pm - 3:30pm AEST
This presentation explores ensemble direction and rehearsal technique with a central focus on the psychological component of group music-making. Drawing on years of practical experience, it aims to equip educators and conductors with strategies to foster cohesive ensemble culture, draw out individual student strengths, and — most importantly — ensure that every rehearsal is meaningful and worth attending.
At some stage, most musicians will step into a conducting role with an ensemble. Yet despite our musical training, the highly specialised skills required to rehearse effectively, motivate students, and manage the group dynamic are rarely part of formal education. The result? Rehearsals that lack impact, disengaged students, and missed musical potential.
This session offers practical, research-informed strategies to:
  • Create a strong ensemble culture built on trust and accountability


  • Harness the individual strengths of each student


  • Structure rehearsals that students genuinely look forward to


  • Navigate the growing pressures on student time and wellbeing


  • Develop habits that lead to consistent musical growth


These tools are adaptable across all ensemble types and age groups, and are particularly relevant in today’s time-poor climate, where every minute of every rehearsal must count.
Speakers
avatar for Angela Cassar

Angela Cassar

Head of Strings, Meriden School
Angela is an accomplished conductor and violinist who has held the position of Head of Strings (K-12) at Meriden School in Sydney since 2015.
In this role she works with students of all ages and has built and refined the program. Angela is able to establish meaningful rapport with those in her ensembles, which along with hard work, has led to its current thriving success. Meriden is now recognised as having one of the top... Read More →
Saturday October 3, 2026 2:30pm - 3:30pm AEST
Recital Hall West Sydney Conservatorium of Music, Conservatorium Road, Sydney NSW, Australia
  Clinic, Strings
  • global Y

2:30pm AEST

Understanding Composition Basics - If you can't understand it, you can't conduct it!
Saturday October 3, 2026 2:30pm - 3:30pm AEST
Fundamental in understanding composition is for the conductor to understand the compositional process themselves – to some degree. "Understanding Composition Basics" will address what you, the conductor, need to know so you can then set about passing that knowledge on to your students in rehearsal. What’s more important, the melody or the counter melody? How complex is form or is it just an extended rhythmic structure? What is it about harmony that makes the piece sound like it does and how does the harmony shape the melody and rhythm? What basic skills in composition do you need to assist your students to make music – to be artistically responsive to the composer’s intent. Simple, really...
Speakers
avatar for Ralph Hultgren

Ralph Hultgren

Composer, Brolga Music Publishing Company
Ralph Hultgren is currently the Artistic Director of the Australian International Music Festival – Sydney, and Brolga Music Publishing - Melbourne. He is a freelance teacher, composer and conductor having held tenured positions at Queensland Conservatorium Griffith University and... Read More →
Saturday October 3, 2026 2:30pm - 3:30pm AEST
Education Room 2174

2:30pm AEST

New Australian Music for School and Community Orchestras: An orchestral reading session
Saturday October 3, 2026 2:30pm - 3:30pm AEST
Participants are encouraged to bring their instruments for this session!

The Australian Music Centre (AMC) is the national service organisation dedicated to the promotion and support of art music in Australia. At the heart of our mission is a commitment to the representation, advocacy, promotion and support of Australian creators and their music. 
In 2025 the Australian Music Centre celebrated its 50th year and a key part of the celebrations was an opportunity for reflection and renewal. It is vital that we give recognition to the teaching and performance of Australian art music from the past as well as acknowledge new initiatives practiced in curricula and co-curricular programs of today.
The focus of this workshop/discussion is to demonstrate ways that educators can include more Australian music within their programs.   It will include repertoire that celebrates our cultural diversity as well as acknowledging a deep commitment to promoting a wide range of compositional approaches within the orchestral context.
Consider the question: how are you embedding Australian culture and, importantly, Australian ‘art music’ into your ensembles?   My role as Music Education Specialist is to help facilitate this process with a degree of ease, so that educators, performers, conductors, and students can access the music that is right for their purpose.
In this orchestral reading workshop, there will be information shared on how to source repertoire for your ensemble as well as the opportunity for delegates to play through orchestral works on offer at the AMC alongside a live orchestra. In addition, strategies will be discussed on how to include more Australian music in our co-curricular ensembles. 
The purpose of this discussion is for educators to connect and understand the services and resources that are provided at the AMC as well as give a deeper insight into the cultural significance of the Australian Music Centre.
Speakers
avatar for Dr Joanna Drimatis

Dr Joanna Drimatis

Music Education Specialist, Australian Music Centre
Dr Joanna Drimatis is a highly-respected champion of Australian music and contemporary classical music – contributing comprehensively through her output as a conductor, performer, musical director, researcher and educator. Joanna is currently Music Education Specialist for the... Read More →
Performers
Saturday October 3, 2026 2:30pm - 3:30pm AEST
Music Workshop Sydney Conservatorium of Music, Conservatorium Road, Sydney NSW, Australia

3:30pm AEST

Afternoon Tea
Saturday October 3, 2026 3:30pm - 4:00pm AEST

Saturday October 3, 2026 3:30pm - 4:00pm AEST

4:00pm AEST

Connecting Your Students with Living Composers
Saturday October 3, 2026 4:00pm - 5:00pm AEST
Many young performers engage deeply with the notes on the page, yet have limited awareness of the creative forces that brought that music to life. This disconnect diminishes opportunities for artistic growth. As a student, encountering the “story behind the music” during an honour band clinic was transformative: discovering the composer’s intent and hearing their lived experience was the catalyst that propelled my own development as a musician and ultimately inspired me to become an educator. When we bring living composers into our educational spaces, we do more than host a guest—we create dynamic, communal experiences that energise students, directors, and composers alike, fostering a shared commitment to the music of tomorrow.

This presentation invites educators to enrich the learning environment by engaging directly with living composers. Featuring a Q&A with Ukrainian-Australian composer Cathy Likhuta, our clinician team will share approaches for integrating composers’ perspectives into rehearsals and classroom discussions, deepening artistic understanding and expanding students’ musical identities.

Composer residencies have the potential to reshape students’ relationships with music and performance. Drawing on extensive experience in Australia and internationally, composer Cathy Likhuta and conductors Nick Williams (University of Georgia) and Jackie Hartenberger (Melbourne Conservatorium of Music) will present evidence-based strategies for hosting composers in rehearsal settings. Attendees will learn practical frameworks for residency planning, rehearsal sequencing, and implementation; explore three distinct models of composer engagement; review sample itineraries; and gain actionable advice tailored to both conductors and composers. Ultimately, this session seeks to empower educators to envision ambitious collaborations with living composers and cultivate a culture that champions new musical voices - nurturing performers who will carry forward a vibrant musical future.
Speakers
avatar for Jaclyn Hartenberger

Jaclyn Hartenberger

Professor, director of bands, Melbourne Conservatorium of Music
Dr. Jaclyn Hartenberger (Fulbright Scholar, 2023–2024) is an internationally
acclaimed conductor known for her dynamic artistry and inspiring leadership.
Currently the conductor of the University of Melbourne Wind Symphony and
principal instructor of conducting for the Australian... Read More →
avatar for Catherine Likhuta

Catherine Likhuta

composer, Self-employed composer
Catherine Likhuta is a Ukrainian-Australian composer, pianist and recording artist. Her music exhibits high emotional charge, programmatic nature, rhythmic complexity and Ukrainian folk elements. Catherine’s pieces have been played extensively around the world, including highly... Read More →
avatar for Dr Nicholas Enrico Williams

Dr Nicholas Enrico Williams

Professor of Music/Director of Bands, University of Georgia
Nicholas Enrico Williams is a Professor of Music and serves as the Director of Bands at the University of Georgia, where he coordinates one of the country’s largest and most comprehensive university band programs, conducts the University of Georgia Wind Ensemble, and oversees the... Read More →
Saturday October 3, 2026 4:00pm - 5:00pm AEST
Verbrugghen Hall Sydney Conservatorium of Music, Conservatorium Road, Sydney NSW, Australia

4:00pm AEST

Middle-Child Syndrome – Taking the ‘Second’ Band or Orchestra
Saturday October 3, 2026 4:00pm - 5:00pm AEST
Directing the ‘second’ band or orchestra comes with numerous challenges that are different to those associated with taking the beginner or top ensembles. This group can be an eclectic mix of students from a wide range of experiences, abilities, maturity and ages. This presentation will discuss the unique issues facing directors of these ensembles and strategies to address these, including preparing appropriate repertoire, leadership opportunities, motivational techniques and pedagogical considerations.
Speakers
avatar for Dale Pointon

Dale Pointon

Coordinator of Ensembles, Instrumental Music School Services, Department of Education WA
Dale Pointon is the Coordinator of Ensembles with Education Department of WA. He also lectures in Music Education at Edith Cowan University. Dale earned his Masters of Music in Conducting from the University of Illinois (USA), a Bachelor of Music Performance (UWA) and a Graduate Diploma... Read More →
Saturday October 3, 2026 4:00pm - 5:00pm AEST
Music Workshop Sydney Conservatorium of Music, Conservatorium Road, Sydney NSW, Australia

4:00pm AEST

Navigating the Band Room with Discipline: Military Principles for Musical Leadership
Saturday October 3, 2026 4:00pm - 5:00pm AEST
When most people think of military discipline, they picture the stereotypical “gung-ho” individual drilled to perform under extreme conditions—a far cry from the band room… or is it? Musicians, like service members, are highly driven individuals who thrive on structure to achieve excellence and artistry. This creates a surprising and powerful nexus between military discipline and ensemble leadership.


This presentation explores how principles of military discipline—distinct from militant rigidity—can elevate the art of conducting and ensemble management. Precision, coordination, and adaptability are qualities shared by both worlds. Drawing on experiences from initial entry into the Defence Force through operations and command, we will examine concepts such as chain of command, clear communication protocols, ethics, and situational awareness, and how they translate into effective rehearsal strategies and performance leadership.
Key themes include:
  • Discipline as a Foundation for Creativity – How structure enables artistic freedom.
  • Command Presence and Authority – Leading with confidence without authoritarianism.
  • Decision-Making Under Pressure – Applying military models to live performance challenges.
  • Building Cohesion – Lessons from unit dynamics to foster trust and responsiveness in ensembles.

By understanding and applying these principles, conductors can create environments where discipline and artistry coexist harmoniously, resulting in stronger, more resilient musical teams.
Speakers
avatar for David E Coit

David E Coit

Musical Director and Officer in Charge - Royal Australian Navy Band Sydney, Australian Defence Force
Originally from Brisbane, Lieutenant Commander David Coit holds an undergraduate degree in Jazz Performance and two postgraduate qualifications in Music Studies and Education from the Queensland Conservatorium and Griffith University. He is recently a graduate of the Australian Command... Read More →
Saturday October 3, 2026 4:00pm - 5:00pm AEST
Recital Hall West Sydney Conservatorium of Music, Conservatorium Road, Sydney NSW, Australia

4:00pm AEST

The First Notes and The First Year: How to compose music for children to perform
Saturday October 3, 2026 4:00pm - 5:00pm AEST
Dr Jim Coyle discusses his new book The First Notes and the First Year: How to compose music for children to perform (Routledge, 2026) and the issues it raises for composers, arrangers and ensemble pedagogues.

Jim will also be speaking on the idea of 'poly-technicality'; music deliberately created for musicians of differing technical abilities to perform together. This idea has particular relevance to the Australian school ensemble scene, and challenges some of the conventional thinking in band and orchestra education.
Speakers
avatar for Dr Jim Coyle

Dr Jim Coyle

Lecturer, Music Education, Sydney Conservatorium of Music
Jim lectures in Music Education at Sydney Conservatorium of Music and holds a PhD from Sydney University. He is in demand as a leader of professional learning for music teachers, composition masterclasses for students in schools, as a guest conductor of school ensembles and as a director... Read More →
Saturday October 3, 2026 4:00pm - 5:00pm AEST
Recital Hall East Sydney Conservatorium of Music, Conservatorium Road, Sydney NSW, Australia

5:30pm AEST

Panel - International Perspectives on "The Next Movement" of Music Education
Saturday October 3, 2026 5:30pm - 6:30pm AEST
Join Dr Mark Laycock, Dr Cynthia Johnston Turner and Patrick Bowen as they share their experience, professionalism and thoughts on what "The Next Movement" is in music education around the world. 

The panel will be facilitated by Andrew McWade
Speakers
avatar for Patrick Bowen

Patrick Bowen

Jazz Director, Las Vegas Academy of the Arts
Patrick Bowen has served as Director of World Jazz Studies at Las Vegas Academy of the Arts since 2001 and Director of Percussion since 1993. Under his leadership, LVA’s jazz bands have performed at prestigious events including the Midwest Clinic, Monterey Jazz Festival, Reno Jazz... Read More →
avatar for Dr Cynthia Johnson Turner

Dr Cynthia Johnson Turner

Dean of Faculty of Music, Wilfrid Laurier University
Cynthia Johnston Turner is a highly sought-after conductor and clinician internationally. She was appointed Dean of the Faculty of Music at Wilfrid Laurier University in July 2021 where she has led a music school of approximately 475 undergraduate and graduates. During her tenure... Read More →
avatar for Andrew McWade

Andrew McWade

Director of Bands, Barker College
Andrew was appointed Director of Bands at Barker in 2015 and has worked as an ensemble director for over a decade. He is also the founding music director of the Old Barker Association’s North Shore Wind Symphony, one of Australia’s premiere wind bands. He holds two degrees from... Read More →
avatar for Dr Mark Laycock

Dr Mark Laycock

Director of Orchestras, Wichita State University
Dr. Mark Laycock is a Professor of Music at Wichita State University, where he holds the Ann Walenta Faculty of Distinction Endowed Professorship. He serves as Director of Orchestras and Coordinator of Strings. He has been recognized with the WSU Excellence in Creative Activity Award... Read More →
Saturday October 3, 2026 5:30pm - 6:30pm AEST
Music Workshop Sydney Conservatorium of Music, Conservatorium Road, Sydney NSW, Australia

6:45pm AEST

Saturday Evening Performance - Adelaide Wind Orchestra
Saturday October 3, 2026 6:45pm - 7:45pm AEST
yasha potanin - wake (ANYCC winning piece, 2025)
holly harrison — big things (2025)
connor fogarty — concerto for oboe & wind orchestra (2022)
Interval
warren benson — the solitary dancer (1966)
yasuhide ito — gloriosa (1990)

big, bold and glorious sounds of harrison and ito with an undercurrent of the electric and eclectic
 
Yasuhide Ito's Gloriosa ends in a blaze. It's the kind of finale that makes an audience sit up, and it gives this concert both its name and its character.

Two works by Australian composers, both commissioned by AWO, open the programme. Holly Harrison's Big Things is vivid and kinetic, crackling with energy. Connor Fogarty, the inaugural winner of the AWO Composition Contest, wrote us an Oboe Concerto that was lyrical and searching, premiered by Celia Craig. This time AWO's own Hannah Kovilpillai takes the solo chair, bringing something personal to a work that has already found its place in the repertoire.

Warren Benson's The Solitary Dancer sits quietly at the heart of it all: spare, tender, and hard to shake. Then Ito closes the night in that characteristic blaze of sound, ceremonial and electric, named for a flower of flame-like beauty.

Speakers
avatar for Bryan Griffiths

Bryan Griffiths

Music Director, SA Police and Adelaide Wind Orchestra
Bryan Griffiths is a conductor and educator, recently appointed Music Director of the Band of the South Australia Police in October 2025. Widely recognised for his work with wind ensembles, he has also conducted orchestral and chamber groups including the Adelaide Symphony Orchestra... Read More →
Performers
avatar for Adelaide Wind Orchestra

Adelaide Wind Orchestra

Adelaide Wind Orchestra
Established in 2012, AWO was founded by alumni of the Elder Conservatorium Wind Orchestra who sought to continue and progress the legacy of that ensemble’s distinguished director, the late Robert ‘Bob’ Hower (1953-2019).  Under the initial leadership of clarinettist, conductor... Read More →

Saturday October 3, 2026 6:45pm - 7:45pm AEST
Verbrugghen Hall Sydney Conservatorium of Music, Conservatorium Road, Sydney NSW, Australia

7:45pm AEST

Conference Dinner & Social Event - Ticketed Event
Saturday October 3, 2026 7:45pm - 8:45pm AEST
Ticketed Event

Purchase tickets for the conference dinner here:
https://openacademy.sydney.edu.au/product/anbocd2

The ANBOC conference dinner will be held at the Sydney Conservatorium following the Saturday night concert from the Adelaide Wind Orchestra.
This a chance to relax, have a drink and some food and socialise with your fellow delegates.  Food and drink will be supplied by Cupcakes and Canapes with a tasty range of canapes, noodle boxes and sweet treats.  Vegan and Gluten-free options are available.  Beer and wine will come from the Tulloch Winery and Slow Lane Brewing, plus an assortment of soft drinks.
All food and wine is included in the $40 per head price

Saturday October 3, 2026 7:45pm - 8:45pm AEST
Level 1
 
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